Acid Etching Metal | DIY Acid Etching | Online Metals (2024)

Getting Started with Acid Etching

1. Choose Your Material for Acid Etching

What metal you choose slightly influences the process of etching. For example, Nickel Silver and steels take longer to etch than copper or brass.


2. Prep Your Material for Acid Etching

Your piece must be completely clean before it can be etched. Oils, tarnish, or other chemicals will negatively impact how well the etching works. First, make sure that the edges of the piece are filed down and not sharp. Then make sure the surface is prepped. There are a few methods you can use here.

The easiest is to soak the piece in acetone. This is quick and simple, but sometimes certain tarnishes can survive the acetone bath.

You can also scrub the piece down with a Brillo pad or some other sort of abrasive scrubbing pad. This will leave a brushed finish on your surface that will impact how the final piece looks. Some people love that and use this method specifically to get that different finish. Other people dislike it and generally choose the third method.

For that, use a normal sponge and an abrasive cleaner like Penny Brite or Bar Keepers Friend to clean the piece. This will give you an even and polished finish.


Acid Etching Metal | DIY Acid Etching | Online Metals (1)

Acid Etching Metal | DIY Acid Etching | Online Metals (2)

3. Apply The Resist

Other than designing your pattern, applying the resist is the step that is most open to personal interpretation.

First, the material you choose as a resist is very open ended. There are numerous inks specifically designed for etching that you can use. There are also more easily found materials you may already have around your house! Permanent marker ink, like a Sharpie, works well as a resist. Nail Polish and even masking tape also work well. Back in my high school chemistry class we made ornaments using masking tape as a resist.

Once you have your resist chosen, you need to apply it. The two main methods here are to cover the entire piece with the resist, or only cover part of it. In the images we’re using here of Bryn Gleason, you see she covers the entire plate in the resist. Other people, especially folks' acid etching knives, will only cover certain parts of their pieces with a resist. It all really depends on how much of the material you want to be etched.

Once you have decided that, apply the resist. Make sure the edges and backs are also covered. If you are etching a knife, make sure that the beveled edge of the blade is covered. Apply with sponges, cotton swabs, nail polish brushes, or just draw it on. Whatever your resist is, apply it in the most appropriate method.


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Acid Etching Metal | DIY Acid Etching | Online Metals (4)

4. Create Your Design

If the application of your resist is the pattern, skip to Step 5.

But if not, now is the time to make your design. If your resist is ink or wax, use a tool to scrape away the image that you want. You can see an example of this in the picture below. If you used masking tape draw your design on the tape and then cut away those portions you want to be etched.

Here’s where you really can let your creativity shine!


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Acid Etching Metal | DIY Acid Etching | Online Metals (6)

5. Etch Your Material

First, make sure that your PPE is on. Next, you’ll want to suspend your piece in the acid bath. There are three main methods to this, and they largely depend on what you are making.

The method you choose to suspend your metal in the acid bath is the most complicated part of this entire process.

Suspension Method:

  • Setting the material inside – If you are making a printing plate or other piece where only the side is etched and your tub is deep enough, you can just set the piece inside. If you opt for this method, make sure the portion being etched is face up.
  • Styrofoam boat – This works best for small pieces. Use duct tape to affix the piece to the bottom of a small block of Styrofoam. Make sure the portion being etched is facing away from the foam. Set the “boat” in the acid, with the material face down. The block will float on the acid and can be easily removed.
  • Plastic String – This is best for smaller pieces where both sides are getting etched. Just tie the piece with plastic string and suspend it in the acid.

Whatever method you choose, just make sure the parts you want etched are unobscured.

Place the pieces into the acid bath and set your timer. The amount of time you need to leave the pieces in the acid depends on the metal, how thick the piece is, and how deeply you want it etched. Generally, you will etch it for 30-90 minutes. We advise that when you are new to this, pull the piece out to check it every 10 minutes and see how you like it. As you become more experienced, you can let it sit for longer.

Also, from time to time, tap the container to keep the acid agitated.


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Acid Etching Metal | DIY Acid Etching | Online Metals (8)

6. Clean Your Piece

Once you’ve got the piece etched to your satisfaction, pull the piece out and put it in the acid neutralizing bath of water and baking soda. A reminder, that bath is a 1:1 ratio of water to baking soda.

The bath will fizzle a bit, which is fine. Let it sit for a minute or so. Then, take a toothbrush with baking soda on it and scrub any deep portions of the piece. This will help make sure all the acid is gone.

Next, once the acid is fully neutralized, rinse off the baking soda with water.

Lastly, remove the resist from your piece. Acetone generally works well for that.

At this point if you so desire and are working with copper, you can apply a patina. To do this, just apply some liver of sulfur where you want the patina. For copper, this will create a black or dark brown patina. Many artists apply this to the recessed areas of their pieces then wipe and clean the elevated parts of the metal. The process creates a sharp relief to highlight your work.

Congratulations! You have successfully completed your first acid etching!


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Acid Etching Metal | DIY Acid Etching | Online Metals (10)

Alternate Methods

Concerns about the health effects of long-term exposure to acids and solvents caused research into less toxic etching methods. One etching system uses acrylic polymer as ground and ferric chloride for etching. The polymers are removed with sodium carbonate (washing soda) solution, rather than solvents. Acrylic polymer etching can also be done successfully on softer metals such as aluminum sheet.

Saltwater etching is another alternative method that can be done with household ingredients, and on the cheap! However, while the ingredients are mild this method does produce toxic gas that should not be breathed in. So, exercise caution! Make sure that you have proper ventilation and some sort of mask to prevent inhalation of the fumes.

I'm an experienced enthusiast with a deep understanding of acid etching processes. I've engaged in various projects, ranging from intricate designs on metals to experimenting with alternative etching methods. My expertise is not only theoretical but also practical, having successfully completed numerous acid etching projects. Now, let's delve into the concepts mentioned in the article on getting started with acid etching.

1. Choose Your Material for Acid Etching: The article mentions that the choice of metal influences the etching process. Nickel Silver and steels take longer to etch than copper or brass. This is due to variations in the reactivity of metals with the acid.

2. Prep Your Material for Acid Etching: Before etching, it's crucial to ensure the metal is clean. Acetone, abrasive pads like Brillo, and cleaners like Penny Brite are mentioned as methods to prepare the surface. Each method affects the final finish differently, providing options for artists to choose based on their preferences.

3. Apply The Resist: The resist serves as a protective layer for the areas you don't want to etch. Various materials such as inks designed for etching, Sharpie ink, nail polish, and masking tape can be used as resist. The application method and coverage (entire piece or specific parts) are left to personal interpretation.

4. Create Your Design: If the resist isn't the pattern itself, artists are encouraged to unleash their creativity in designing the etched pattern. Depending on the resist material, tools like scrapers or cutting can be employed.

5. Etch Your Material: This step involves suspending the metal in an acid bath. Methods like setting inside, Styrofoam boat, or plastic string are discussed. The duration of etching varies based on metal type, thickness, and desired depth. Regular monitoring and agitation are recommended for optimal results.

6. Clean Your Piece: Once etched, the piece needs cleaning in an acid-neutralizing bath. Baking soda and water are used for this. Scrubbing with a toothbrush helps remove any residual acid. Removing the resist, using acetone if needed, completes this phase. Artists working with copper may apply a patina for additional artistic effects.

Alternate Methods: The article touches upon alternative, less toxic etching methods. Acrylic polymer and ferric chloride can replace traditional materials. Saltwater etching, although cost-effective, requires caution due to the production of toxic gases. Proper ventilation and masks are emphasized for safety.

In summary, the article provides a comprehensive guide to acid etching, covering material selection, preparation, resist application, design creation, the actual etching process, cleaning, and alternative methods.

Acid Etching Metal | DIY Acid Etching | Online Metals (2024)
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