What is my Rembrandt etching worth?
Your Rembrandt print does not need to have a signature, monogram or other mark to be valuable either. Rembrandt's prints–originals and restrikes– have sold in the range from $5,000 to $150,000.
An authentic etching does not have any dots in the image. After the edition is printed by the master printer, it is given back to the artist to hand-sign each one. Prints or other fakes have copies of the signature.
Rembrandt created some 300 etchings and drypoints from about 1626 to 1665. His career as a printmaker ran parallel to his career as a painter—he rarely treated the same themes in both media and only occasionally did he reproduce his paintings in prints.
The primary difference between the two, however, is the price. Cost differences between chemical etching and engraving depend on a few primary factors: Material: Hard materials are more difficult to engrave, increasing the cost. We typically recommend etching for these projects.
Prints made in more labour-intensive techniques are considered more valuable than prints that are easier to make. That means that etchings and woodcuts are usually priced higher than lithographs and screenprints, as they demand more of an effort from an artist.
Antique engravings can be quite valuable, but there's a great deal of variation. They range in price from under $25 for a small piece to many thousands of dollars for a large and rare engraving.
A real etching has a plate impression. Since the process is not photographic and there is no printing press, there are no dots in the image. If you use a magnifying glass to look at a photograph in a newspaper, you can see the entire image is made up of dots.
Most modern etchings are then signed and numbered to establish an edition. While this process is fairly easy to describe it requires a high degree of skill on the part of the artist. Even though there is more than one etching, each is considered an original work of art because it is not a copy of anything else.
During his lifetime, Rembrandt produced some 290 etchings. They are considered not only as highlights of his work but also as great masterpieces of Western art. Rembrandt experimented with and perfected the technique of etching – producing prints from metal plates that have been etched with acid.
When identifying a valuable print, look for a quality of impression and good condition of the paper. Look at the paper and see if there is a watermark or distinguishing marking. The condition of the paper—tears, creases, stains—will also impact value.
How do you know if art is valuable?
Consider finding an appraiser to determine the value of your artwork. Appraisers are trained specialists who work for a fee. They evaluate your piece and give you a written statement of its value. Although the following organizations do not provide appraisals themselves, they each publish a directory of their members.
Original etchings are made during the etching process and as a part of related print sessions. From this, the artist creates his limited supply, which is often numbered, before storing the etching plate. Many years later, usually upon the artist's death, the etching is used to create more prints.
Rembrandt's early work is signed with his Latin Monogram: RHL (Rembrandus Hermanni Leydensis.) He then switched to RHL-van-Rijn, and eventually settled on simply Rembrandt as his signature for the majority of his career.
The Rembrandt House Museum owns an almost complete collection of Rembrandt's world-famous etchings. Rembrandt's free use of line, the unique deep black of many of his etchings and his masterly use of the drypoint were very popular and his work was much sought after by the many print collectors of the time.
The talented and persistent self-taught engraver Rembrandt van Rijn became the greatest master of etching. The Dutchman created exquisite and expressive images that serve as a model for printed graphics even in the 21st century.
Both are prints, but they are made using different techniques. In a lithograph, the image to be printed is drawn or painted on a stone or metal plate using a crayon or grease-based ink, rather than being engraved on it, as in an etching.
If an artist intends to create an etching, then no matter how many times it is printed, each print will constitute an original work of art. If however, a work was originally a painting and then photographed to make prints, the subsequent prints are reproduction prints.
All etchings are a form of print, though not all prints are a form of etching, as they include works completed with the use of woodcuts, lithograph, transfer paper and printing presses. A print is the final product, while etching is the entire process by which the etching print is produced.
- “Phantom” - Peter Lik (2014) - $6.5m.
- “Rhein II” - Andreas Gursky (2011) - $4.4m.
- “Spiritual America” - Richard Prince (2014) - $3.9m.
- “*ntitled #96” - Cindy Sherman (2011) - $3.9m.
- “To Her Majesty” - Gilbert & George (1973) - $3.8m.
- “Dead Troops Talk" - Jeff Wall (2012) - $3.7m.
A good quality mezzotint can sell for tens of thousands often depending on how early of an edition they are. Further shading was allowed with aquatints, this was often combined with etching to allow for a strong line mixed with softer elements.
How do I check a certificate of authenticity?
Chrome has made it simple for any site visitor to get certificate information with just a few clicks: Click the padlock icon in the address bar for the website. Click on Certificate (Valid) in the pop-up. Check the Valid from dates to validate the SSL certificate is current.
Authentication doesn't come cheap, either—independent experts (generally academics, although sometimes family members) usually charge for their services. Force said the minimum fee hovers around $500 and can go much higher depending on the artist and the potential value of the work.
Hand signed prints are usually numbered.) When an artist places their signature on an etching or lithograph plate, they often write backwards so that the prints have their signature in the correct orientation. Artists also occasionally sign forwards, which means the prints have the signatures in reverse.
Etchings usually keep or increase their value over time. Here's a list of some more qualities that make etchings worth more money: Artist: An artist's popularity, backstory, and death will greatly influence the cost of an etching.
As far as print run numbers are concerned, the rule is simple: the smaller the number the bigger the value. First impressions in the print run usually reach higher prices since they are considered to be the closest to the artist's original idea.
On paper, both chemical etching and traditional engraving can be described as the process of cutting lines into a hard surface (such as metal). However, there is one major difference between the two: etching is a chemical process while engraving is a physical process.
Rembrandt's most important etching, The Three Crosses (1653) portrays Jesus Christ on the cross, flanked by the two thieves who were crucified with him.
Rembrandt used a dilute solution of hydrochloric acid. This worked slowly and did not make thin lines coarser. Now the etching ground is removed and the clean plate inked with an ink-pad or roller. It is then wiped clean by hand so that the whole plate is clear of ink except for the grooves.
Rembrandt's prints were created entirely in the medium of etching and the related techniques of drypoint and engraving. These are forms of intaglio printing, in which the ink is forced into grooves below the surface of the printing plate and transferred under pressure to a piece of printmaking paper.
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What does Rembrandt's signature look like?
Rembrandt's early work is signed with his Latin Monogram: RHL (Rembrandus Hermanni Leydensis.) He then switched to RHL-van-Rijn, and eventually settled on simply Rembrandt as his signature for the majority of his career.
Now, however, it appears the Rembrandt has found a home after all. The small biblical scene, titled Abraham and the Angels, was sold through Sotheby's private sales channel at a price within its original estimate of $20 million–$30 million, the house said on Thursday.
During his lifetime, Rembrandt produced some 290 etchings. They are considered not only as highlights of his work but also as great masterpieces of Western art. Rembrandt experimented with and perfected the technique of etching – producing prints from metal plates that have been etched with acid.
Etchings during Rembrandt's time were printed on handmade papers that bore images affixed to the paper molds called watermarks. These marks, wire forms stitched to the molds used to make paper, distinguished each paper mill, so there are many different designs.
Earlier-20th-century connoisseurs claimed Rembrandt had produced well over 600 paintings, nearly 400 etchings and 2,000 drawings. More recent scholarship, from the 1960s to the present day (led by the Rembrandt Research Project), often controversially, has winnowed his oeuvre to nearer 300 paintings.
Portraits of Maerten Soolmans and Oopjen Coppit (1634) by Rembrandt van Rijn. The Portrait of Maerten Soolmans and Portrait of Oopjen Coppit, both painted by Rembrandt in 1634, were acquired as a pair for $180 million, setting a new record for the price of his sold works.
LONDON (Reuters) - A Rembrandt painting unseen in public for nearly 40 years sold for a record 20.2 million pounds ($33.2 million) at auction in London on Tuesday, the highest ever paid at auction for the 17th century artist.
(AP) – A self-portrait by Rembrandt sold for 14.5 million pounds ($18.7 million) at a Sotheby's virtual auction Tuesday — a record price for a self-portrait by the Dutch master, the auctioneer's said.
