A guest article by Tony Northrup.
A bright, white background creates a high energy, happy, and distraction free scene, perfect for pictures of your friends and family. Known as high key photography, this technique instantly cures problems with ugly backgrounds and focuses the viewer’s attention on your subject.
Besides being a popular for portrait photographers, it’s a more modern choice, rather than traditional (ie., painted muslin). Here are my favourite tips for creating high key photos.
4 tips for perfect white backgrounds in high key photography
Tip #1 – Use a Solid White Background to Eliminate Distractions
I used a big, white piece of paper as the background for this portrait of my twin nieces because anything natural for a background would have clashed with their colourful outfits. The brightness also perfectly matches their expressions.
High-key backgrounds focus your attention on the subject
High key photography was the perfect choice for this picture of my daughter eating a strawberry because there’s nothing to distract the viewer from her eyes and the strawberry. You don’t need to use an expensive camera or lens for this type of picture, because you can use any camera for high key photography.
The solid white background eliminates all distractions
Tip #2 – use sunlight as your background
A white background isn’t everything you need to create a perfect high key photograph, however. You need one additional ingredient – light. A white background without light doesn’t appear white in the photo, it appears grey. My flash failed to fire for this next photo, causing an ugly, grey background.
If you don’t light your background, it will be grey
To create a solid white background, you need to completely overexpose your background without overexposing your subject. That means you’ll need much more light on your background than on your foreground subject; about 16 times more light (or four stops of light).
Fortunately, we all share a very powerful and free light source: the sun. For this photo of a radio talk show host and his dog, I had him kneel in my kitchen at midday when the sun was streaming through the glass doors behind him. I added three stops of exposure compensation to properly expose their faces. Because the sunlit background was much brighter than the shade in my kitchen, the camera captured it as solid white.
You can use the sun to create a bright background
Tip #3 – use a flash on the background
Another easy way to create a bright background is to light it with an off camera flash. Simply move your model four to six feet away from your background and hide a flash behind your model, pointing it at the background. When you take your photo, the flash will light the background to overexpose it and make it appear completely white.
An off camera flash doesn’t have to be expensive. Any manual flash with an optical slave will work, including the $60 (US) YongNuo YN-560 that I often use. Simply turn on both the flash’s optical slave and your built-in flash. When you take a picture, your flash will trigger the off camera flash to light the background.
Place a flash behind your subject to light the background
For more information about using flash both on-camera and off-camera, refer to Chapters 3 and 6 of Stunning Digital Photography.
Tip #4 – don’t over, overexpose the background
You can overexpose a high key background too much. If you bounce too much light off your background, the backlighting will overtake your model and wash out your picture. For example, the picture on the left had too much light on the background, while the picture on the right had just the right amount.
If you have too much light on your background, it’ll wash out your subject
To get a perfectly white background without washing out your picture, start your background light at its lowest power and increase it one stop at a time until the background is barely overexposed. In this video, my wife Chelsea and I show you exactly how to find the perfect flash output. Our book, Stunning Digital Photography, includes more than six hour of video integrated into the lessons, because photography is a visual art, and often it’s easier to learn by watching than reading.
Summary
High key photography is challenging because it requires you to create an intentionally overexposed background while still properly exposing your subject. Once you learn how to use exposure compensation and light your background, you’ll be able to create perfect white backgrounds in just a few minutes.
Award-winning author and photographer Tony Northrup has published more than 30 how-to books and sold more than a million copies around the world. His photography book, Stunning Digital Photography, is the best-selling photography book in the world and the top-rated instructional book of all time. His photos have been featured on magazine covers, book covers, CD covers, TV shows, calendars, and much more. He runs a stock and portrait photography business with his family, Chelsea and Madelyn, out of his home studio in Waterford, CT. He shoots travel and nature photography everywhere he goes.
As a seasoned photography enthusiast with an extensive background in the field, I can attest to the importance of high key photography in creating visually appealing and distraction-free images. Tony Northrup's guest article provides valuable insights into the art of high key photography, and I'll further elaborate on the concepts discussed in the article to showcase my depth of knowledge on the topic.
Tip #1 – Use a Solid White Background to Eliminate Distractions: The use of a solid white background is essential in high key photography to eliminate distractions and focus the viewer's attention on the subject. This technique is particularly effective for portraits and other shots where a clean, unobtrusive background is desired. Northrup emphasizes the simplicity and versatility of using a solid white background, as demonstrated in his portrait of his twin nieces and his daughter eating a strawberry.
Tip #2 – Use Sunlight as Your Background: While a white background is crucial, proper lighting is equally important in achieving high key photography. Northrup highlights the significance of using sunlight as a background light source to create a solid white background. This involves overexposing the background while ensuring the subject is well-lit. The example featuring a radio talk show host and his dog illustrates the use of natural sunlight to achieve the desired effect.
Tip #3 – Use a Flash on the Background: In situations where natural sunlight is insufficient, employing an off-camera flash becomes a practical solution. Northrup suggests placing the model a few feet away from the background and using a flash directed at the background to overexpose it and create a bright, white backdrop. This technique provides flexibility, and he recommends an affordable off-camera flash like the YongNuo YN-560.
Tip #4 – Don't Over, Overexpose the Background: Achieving the perfect high key background involves avoiding overexposure. Northrup cautions against bouncing too much light off the background, as it can lead to the backlight overpowering the subject. The article provides a visual comparison, emphasizing the importance of finding the right balance to prevent washing out the subject.
In summary, high key photography demands a strategic approach to intentionally overexpose the background while maintaining proper exposure for the subject. Tony Northrup's expertise shines through as he shares practical tips and examples, making the challenging art of high key photography accessible to photographers of all skill levels.
